Hello,
What’s the usual workflow for multichannel files with fluid.nmfmorph?
Should I split the multichannel source buffers to mono buffers and also duplicate the buffers meant to contain the bases, activations as well as the fluid.nmfmorph~ object? Seems doable for stereo but a lot of work for eight track buffers… …or with a polybuffer~ maybe?
Is there yet a way to select a specific channel in the @bases or @source attributes after the buffer name?
OK, I got this patch for a stereo version. However, when triggering the bases/activations decomposition, I got an “Bases Buffer Supplied but Invalid” message for each fluid.bufnmf~.
What’s wrong?
----------begin_max5_patcher----------
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-----------end_max5_patcher-----------
Got it. There were a few typos and missing cables.
----------begin_max5_patcher----------
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-----------end_max5_patcher-----------
For multichannel sources, I’ve pretty much always switched to analyzing the sound source in a summed mono. That’s how I “hear” multichannel sounds anyway (stereo at least).
If I truly want something analyzed (or in your case processed) as separate channels, I’ve moved to doing each channel independently (as opposed to using built-in multichannel functionality). I just find it clearer to reason about. I’m mostly in SuperCollider or MMMAudio now where I think it makes sense. Max might be a bit more complications for managing multiple channels.
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